Performances
& Events
QUEENSTOWN LAKES
3 - 16 OCTOBER 2026
This year, we explore bounds and bridges, exploring the lines that entwine, divide and connect. Join us At the World’s Edge for seven masterful programmes, free events and community performances. This is AWE.
FESTIVAL PERFORMANCES
Seven programmes. Four locations. One journey.
Join us for an intimate exploration of lines as boundaries and bridges within the grandeur of the Southern Alps of Aotearoa New Zealand. With internationally renowned artists standing side-by-side with Aotearoa's finest musicians, the programme is further enriched by a range of free events and performances.
This year's opening weekend launches within the breathtaking scapes surrounding Wānaka's Rippon Hall, with Crossed presenting its own landscape where moral, political and spiritual lines are tested, crossed and redrawn. Between then explores what lies beneath the surface of music: the hidden structures, unspoken emotions, and unseen connections that reveal themselves through shared experience.
At Queenstown’s Te Atamira, Strung marks the piano's first appearance in the festival, its hidden strings and resonating lines deepening the journey into music's innermost world. Woven then takes us to the stunning setting of Cromwell's Cloudy Bay Shed, where musical lines coexist, separate, and reunite across daylight, twilight and evening performances, each paired with Cloudy Bay wine.
Radiance brings us back to Queenstown, tracing music drawn along the threshold between presence and distance, memory and vastness. Within Bannockburn’s intimate Coronation Hall, Unbroken then explores the spaces where histories, identities, and musical lines cross and are transformed - and endure. Finally, The Line closes the festival in Queenstown, where solitary points become lines, and lines intersect, revealing music as a continuous unfolding shaped by encounter, time, and human connection.
1 | Crossed
Sat 3 Oct | 4pm & 7pm
Rippon, Wānaka
Adults $70 | Students $25
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Crossed opens AWE 2026 into a landscape where moral, political, and spiritual lines are tested, crossed, and redrawn. Music composed in the aftermath of occupation, conflict, and political upheaval traces a journey from fracture and uncertainty toward luminous clarity.
Grażyna Bacewicz Quartet for Four Violins
Johann Sebastian Bach Jesu, meine Freude BWV 358
Michael Norris Exitus, III. Niflheim (“The House of Mists”)
Ludwig van Beethoven String Quartet in C major, op.59, no.3
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Benjamin Baker, Justine Cormack, Florian Donderer & Marike Kruup - Violin
Matthew Lipman & Julia Joyce - Viola
Tanja Tetzlaff & Matthias Balzat - Cello
2 | Between
Sun 4 Oct | 2pm & 5pm
Rippon, Wānaka
Adults $70 | Students $25
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Between explores what lies beneath the surface of music: the hidden structures, unspoken emotions, and unseen connections that reveal themselves through shared experience. At its heart is the world premiere of Michael Norris' AWE 2026 commission, conceived in dialogue with a new sculptural work by Ed Cruickshank, where meaning exists simultaneously in physical and sonic form.
Caroline Shaw Plan & Elevation
Michael Norris AWE 2026 Commission for string trio
Robert Schumann String Quartet in A minor, op. 41, no. 3
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Benjamin Baker, Justine Cormack, Florian Donderer & Marike Kruup - Violin
Matthew Lipman & Julia Joyce - Viola
Tanja Tetzlaff & Matthias Balzat - Cello
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This Free Artist Talk sees our Composer in Residence, Michael Norris, introduce his music and discuss his new AWE commission for string trio. Conceived in dialogue with a new sculptural work by Ed Cruikshank, Ed will join Michael in a discussion about their creative collaboration.
Presented between the two performances of Between at Rippon, Wānaka.
Free entry.
3 | Strung
Mon 5 Oct | 7:30pm
Te Atamira, Queenstown
Adults $70 | Students $25
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At Te Atamira, Strung marks the piano's first appearance in the festival, its hidden strings and resonating lines deepening the journey into music's innermost world.
Featuring AWE Festival Artists David Fung and Matthew Lipman alongside returning 2026 AWE Pettman Scholars Christine Jeon and Matthew Seinafo, the programme will feature works by Jessie Montgomery, Rebecca Clarke, Claude Debussy, Maurice Ravel and AWE 2026 Composer in Residence Michael Norris.
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David Fung - Piano
Matthew Lipman - Viola
Christine Jeon, AWE Scholar - Cello
Matthew Seinafo, AWE Scholar - Piano
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An AWE+ Free Performance from the 2026 AWE Pettman Scholars Christine Jeon (cello) and Matthew Seinafo (piano), presented before the evening performance of Strung.
Free entry.
4 | Woven
Thurs 8 Oct | 6pm
Cloudy Bay Shed, Cromwell
Limited Release $150
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Woven explores how independent musical lines coexist, separate, and reunite, tracing this dialogue across cultures and millennia, from one of the oldest surviving notated melodies to music rooted in the landscapes and traditions of Aotearoa. As the sun sets behind the Pisa Range, AWE's special evening paired with Cloudy Bay Wines mirrors the programme's own journey: lines of music and light slowly separating, transforming, and finding each other again.
Iannis Xenakis Dhipli Zyia for violin and cello
Tonu Kõrvits Five Bagatelles for two violins
Rebecca Clarke Lullaby & Grotesque for viola and cello
Michael Norris Prolation canon on an ancient Hurrian hymn to Nikkal (c. 1400BC)
Michael Norris Waipounamu for solo violin and fixed media
Claude Debussy String Quartet
During the evening, Festival Director Justine Cormack will also host a Q&A with this year’s Composer in Residence, Michael Norris.
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Benjamin Baker, Justine Cormack & Florian Donderer - Violin
Matthew Lipman - Viola
Tanja Tetzlaff - Cello
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Cloudy Bay wine and/or non-alcoholic beverages will be served to complement performances throughout the evening, in addition to finger food.
5 | Radiance
Fri 10 Oct | 7:30pm
Te Atamira, Queenstown
Adults $70 | Students $25
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Radiance explores music drawn along the threshold between presence and distance, memory and vastness. From the incomprehensible scale of deep space to the intimacy of nocturnal reflection, musical lines drift, suspend, and hover between what is present and what is remembered, what is near and what lies beyond the reach of human scale.
Michael Norris Deep Field II for violin and live electronics
Franz Schubert Notturno for violin, cello and piano
Krzysztof Penderecki String Quartet No.3 ‘Leaves from an Unwritten Diary’
Johann Sebastian Bach Chorale
Arvo Pärt Summa for string quartet
Caroline Shaw Entr’acte for string quartet
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Benjamin Baker, Justine Cormack, Florian Donderer, Marike Kruup & Monique Lapins - Violin
Matthew Lipman & Julia Joyce - Viola
Tanja Tetzlaff & Matthias Balzat - Cello
David Fung - Piano
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An AWE+ Free Performance showcasing our 2026 Emerging Artists.
Free entry.
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An AWE+ Free Talk from Emeritus Professor Brian J Boyle sharing why Otago is such a special place on the planet for astronomy. Experience the awe and majesty of our night skies, with a little bit of astrophysics and cosmology thrown in.
This talk will take place prior to the evening’s Radiance performance at Te Atamira, Queenstown.
Free entry.
6 | Unbroken
Sat 11 Oct | 2pm & 5pm
Coronation Hall, Bannockburn
Adults $70 | Students $25
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Unbroken explores the spaces where histories, identities, and musical lines cross, transform and endure. From a New Zealand soldier carrying his violin through the First World War to a string trio composed at the edge of annihilation, the programme traces the fragile yet unbreakable thread of music as it transcends centuries, borders, and the darkest moments of human experience.
Michael Norris Prolation Canon on a Theme by Hildegard von Bingen for spatialised string quartet
Sebastian Black Aitken’s Violin for solo violin
AWE 2026 Emerging composer New work for string quartet
Michael Norris Time dance for two violins, cello and piano
Gideon Klein String Trio
Antonin Dvorák Piano Quartet in E-flat major, op.87
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Benjamin Baker, Justine Cormack, Florian Donderer & Monique Lapins - Violin
Matthew Lipman & Julia Joyce - Viola
Tanja Tetzlaff & Matthias Balzat - Cello
David Fung - Piano
AWE 2026 Emerging Artists
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An AWE+ Free Talk from composer Sebastian Black will delve into the remarkable story of Aitken Alexander and his violin during WW1. AWE Artistic Director Benjamin Baker and Sebastian will discuss their collaboration in Black’s composition for solo violin, commissioned by AWE for its inaugural AWE Festival London in April this year.
This talk will take place between the two performances of Unbroken at Coronation Hall, Bannockburn.
Free entry.
7 | The Line
Sun 12 Oct | 2pm & 5pm
Te Atamira, Queenstown
Adults $70 | Students $25
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Our final programme, The Line, brings the festival to a close in Queenstown with a programme that traces music's most essential journey: from a single footprint in an empty landscape, through voices shaped by love, loss, and encounter, to a musical line forcibly rewritten by history, revealing music's enduring ability to connect us across time.
Claude Debussy De Pas sur la Neige for solo piano
Luciano Berio Violin Duos
Michael Norris The Spaces in Between for piano trio
Anton Webern Langsamer Satz for string quartet
Erich Wolfgang Korngold Piano Quintet, op.15
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Benjamin Baker, Justine Cormack, Florian Donderer, Marike Kruup & Monique Lapins - Violin
Matthew Lipman & Julia Joyce - Viola
Tanja Tetzlaff & Matthias Balzat - Cello
David Fung - Piano
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This Free Artist Talk sees our Composer in Residence, Michael Norris, speak about his life and music.
Presented between the two performances of The Line at Te Atamira, Queenstown.
Free entry.
AWE+
FREE PERFORMANCES AND EVENTS
Offering our community a new lens into the Festival within the Queenstown and Wānaka region, AWE+ is a series of free events and performances designed to complement the official programme and enrich your festival experience. Come one, come all, and immerse yourself in AWE.
AWE+ | FREE PERFORMANCES
AWE Scholars Showcase
Mon 5 Oct | 6:15pm - 7pm
Te Atamira, Queenstown
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An AWE+ Free Performance from the 2026 AWE Pettman Scholars Christine Jeon (cello) and Matthew Seinafo (piano).
Presented before the evening’s performance of Strung at Te Atamira, Queenstown.
Free entry.
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Christine Jeon - Cello
Matthew Seinafo - Piano
Emerging Artist Showcase
Fri 10 Oct | 4:45pm - 5:30pm
Te Atamira, Queenstown
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An AWE+ Free Performance showcasing our 2026 Emerging Artists, including the premiere of a new work by the 2026 AWE Emerging Composer.
Free entry.
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AWE 2026 Emerging Artists to be announced in June 2026.
AWE Festival Artist Monique Lapins will join the Emerging Artists for the performance of the Emerging Composer new work.
AWE+ | FREE EVENTS
Te Atamira Portraiture Exhibition
29 Aug 2026 - 10 Nov 2026
Te Atamira, Queenstown
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The Adam Portraiture Award 2026 Finalists Exhibition brings together 43 artists working from life to explore connection, identity, and presence. From well-known figures to intimate portrayals of friends and whānau, these works hold moments of attention and exchange, where the act of looking becomes a form of relationship.
Selected from 429 entries, the exhibition is presented at Te Atamira in partnership with the National Portrait Gallery.
Image Credit:
Adam Portraiture Award 2024 winner
Maryanne Shearman, Tuhi-Ao, 2024, oil on canvas
Collection of the New Zealand Portrait Gallery Te Pūkenga Whakaata
Open Rehearsals
Fri 2 Oct | 10am - 5pm
Te Atamira, Queenstown
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Join us at our open rehearsals, and experience the sights and sounds of our Festival Artists deep within their performance preparation. Observers are encouraged to move freely between the selections of rehearsals at Te Atamira.
10am - 5pm: Works by Basewicz, Clarke, Beethoven Norris, Schumann & Shaw
Michael Norris & Ed Cruikshank
Sun 4 Oct | 3:45pm - 4:30pm
Rippon, Wānaka
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This Free Artist Talk sees our Composer in Residence, Michael Norris, introduce his music and discuss his new AWE commission for string trio. Conceived in dialogue with a new sculptural work by Ed Cruikshank, Ed will join Michael in a discussion about their creative collaboration.
Presented between the two performances of Between at Rippon, Wānaka.
Free entry.
Open Rehearsals
Wed 7 Oct | 10am - 6:30pm
Te Atamira, Queenstown
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Join us at our open rehearsals, and experience the sights and sounds of our Festival Artists deep within their performance preparation. Observers are encouraged to move freely between the selections of rehearsals at Te Atamira.
10am - 6:30pm: Works by Klein, Dvorak, AWE Emerging Composer, Norris, Korngold, Webern & Debussy
Winterstellar: At the Edge of the Universe
Fri 9 Oct | 6:30pm - 7pm
Te Atamira, Queenstown
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An AWE+ Free Talk from Emeritus Professor Brian J Boyle sharing why Otago is such a special place on the planet for astronomy. Experience the awe and majesty of our night skies, with a little bit of astrophysics and cosmology thrown in.
This talk will take place prior to the evening’s Radiance performance at Te Atamira, Queenstown.
Free entry.
Sebastian Black & Aitken’s Violin
Sat 11 Oct | 3:45pm - 4:30pm
Coronation Hall, Bannockburn
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An AWE+ Free Talk from composer Sebastian Black will delve into the remarkable story of Aitken Alexander and his violin during WW1. AWE Artistic Director Benjamin Baker and Sebastian will discuss their collaboration in Black’s composition for solo violin, commissioned by AWE for its inaugural AWE Festival London in April this year.
This talk will take place between the two performances of Unbroken at Coronation Hall, Bannockburn.
Free entry.
Composer in Residence
Sun 12 Oct | 3:45pm - 4:30pm
Te Atamira, Queenstown
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This Free Artist Talk sees our Composer in Residence, Michael Norris, speak about his life and music.
Presented between the two performances of The Line at Te Atamira, Queenstown.
Free entry.
AWE+ IN SCHOOLS
Combining community, creativity and curated compositions, the AWE team will once again tour the Central Lakes region, performing for over 2,000 students at multiple early childhood centres, primary schools and high schools between 12 - 16 October 2026.
Local New Zealand music features large, with works from our AWE Emerging Composer as well as the 2026 Composer in Residence, Michael Norris. Offering a dynamic and entertaining musical presentation, this year’s AWE entourage includes Festival Artists, Emerging Musicians, and our Emerging Composer.
AWE+ in Schools is offered free to schools and students with the support of our many generous funders. If you wish to know more about our school programmes, feel free to get in touch.
Themes AND programme overview
LINES AS BOUNDARIES AND BRIDGES
Lines are everywhere. They shape the landscapes we move through, the music we hear, and the boundaries we draw around ourselves and others. Some lines divide; others connect. Some are crossed in courage, held with conviction, others blurred in the complexity of human experience. AWE 2026 invites you to explore the line in all its dimensions: as boundary and bridge, as musical voice, as moral threshold, across seven programmes, four locations, and the breathtaking landscapes of Central Otago, Aotearoa New Zealand.
Following the line
"A line is a dot that went for a walk." — Paul Klee
Paul Klee's deceptively simple observation opens into a world of extraordinary complexity, and it is here that AWE 2026 begins.
At every scale of life, there are lines. Some are drawn in ink or light. Some are etched into landscapes by rivers, winds, or tectonic plates. Some are invisible but deeply felt: the boundaries of culture, the edges of morality, the thresholds we dare to cross. Nature is full of lines: coastlines, fault lines, horizon lines, the migration routes of birds, the strata of rock recording millennia of pressure and transformation. In each, a line implies both division and connection, separating yet joining, defining each side by contrast. In that way, the line is always a threshold.
In art and music, a line carries us. A melody pulls us forward through time, leaving traces of emotion and memory. A brushstroke defines a form. A sentence cuts to the heart. In music especially, independent lines coexist, diverge, and reunite, voices in constant dialogue, shaping one another through proximity and encounter. Whether woven into something greater than the sum of its parts, or suspended in radiance along the threshold between presence and distance, to follow a musical line is to be drawn into a world where boundaries are not walls but bridges, and where music does what little else can: connect us to one another across time, place, and human experience.
The human element becomes most vivid when we confront the lines we draw in our own lives. Cultural lines define belonging and exclusion. Diplomatic lines can build understanding between communities and nations. Personal boundaries mark the limits of what we will give, endure, or accept. And moral lines, perhaps the most fragile and consequential of all, define who we are in moments of courage, compromise, and choice. Sometimes we hold the line. Sometimes, as history repeatedly reminds us, a line is crossed, redrawn, or broken entirely. And sometimes, against all odds, it remains unbroken, a testament to the enduring power of human creativity and resilience.
AWE 2026 traces these boundaries and bridges across seven programmes and four locations within the breath-taking landscapes of Central Otago, Aotearoa New Zealand, from what lies between the lines of music's surface, to the cosmic vastness of the line itself in its most elemental form.
Which lines protect us?
Which lines confine us?
And which lines are waiting to be redrawn?
Michael Norris: Drawing the line
Michael Norris is AWE 2026's composer in residence, and no artist could be more naturally at home within a festival exploring lines as boundaries and bridges. His music is woven through every programme, spanning an extraordinary range of territory: from one of the oldest surviving notated melodies to the incomprehensible vastness of deep space, from Hildegard von Bingen suspended across nine centuries to the greenstone waters of the Queenstown Lakes region. In each work, Norris traces the spaces where musical lines converge, dissolve, and reform, connecting the ancient to the contemporary, the intimate to the vast, and at times electronics enter the ensemble as another voice entirely, extending and blurring the boundaries of acoustic sound into new sonic territory.
His AWE 2026 commission sits at the heart of Between, shaped in conversation with sculptor Ed Cruikshank. Together, sound and sculpture carry a hidden braille message, inviting us to discover that some lines are not only heard, but felt.