Performances
& Events

QUEENSTOWN LAKES 
3 - 16 OCTOBER 2026

This year, we explore bounds and bridges; the lines that entwine, divide and connect. Join us At the World’s Edge for seven masterful programmes, free events and community performances. This is AWE.


FESTIVAL PERFORMANCES

Seven programmes. Four locations. One journey. 

Join us for an intimate exploration of lines as boundaries and bridges within the grandeur of the Southern Alps of Aotearoa New Zealand. With internationally renowned artists standing side-by-side with Aotearoa's finest musicians, the programme is further enriched by a range of free events and performances. 

This year's opening weekend launches within the breathtaking scapes surrounding Wānaka's Rippon Hall, with Crossed presenting its own landscape where moral, political and spiritual lines are tested, crossed and redrawn. Between then explores what lies beneath the surface of music: the hidden structures, unspoken emotions, and unseen connections that reveal themselves through shared experience.

At Queenstown’s Te Atamira, Strung traces connections across generations, where musical lines are passed, reshaped, and renewed. Woven then takes us to the stunning setting of Cromwell's Cloudy Bay Shed, where musical lines coexist, separate, and reunite across daylight, twilight and evening performances, each paired with Cloudy Bay wine.

Radiance brings us back to Queenstown, tracing music drawn along the threshold between presence and distance, memory and vastness. Within Bannockburn’s intimate Coronation Hall, Unbroken then explores the spaces where histories, identities, and musical lines cross and are transformed - and endure. Finally, The Line closes the festival in Queenstown, where solitary points become lines, and lines intersect, revealing music as a continuous unfolding shaped by encounter, time, and human connection.

Silhouette of three musicians playing string instruments, viewed through a frosted window with a cloudy sky in the background.

1 | Crossed

Sat 3 Oct  |  4pm & 7pm
Rippon, Wānaka

Adults $70 | Students $25

Close-up of a moss-covered, jagged rock surface next to flowing water.

2 | Between

Sun 4 Oct  |  2pm & 5pm
Rippon, Wānaka

Adults $70 | Students $25

Close-up of hands playing a grand piano on a dark stage with sheet music on a music stand in the background.

3 | Strung

Mon 5 Oct  |  7:30pm
Te Atamira, Queenstown

Adults $70 | Students $25

Green leafy tree branches extending outward and downward in a natural outdoor setting.

4 | Woven

Thurs 8 Oct  |  6pm
Cloudy Bay Shed, Cromwell

Limited Release $150

A woman playing a violin through a reflective surface, creating a layered, abstract visual effect.

5 | Radiance

Fri 9 Oct  |  7:30pm
Te Atamira, Queenstown

Adults $70 | Students $25

Close-up of a violin

6 | Unbroken

Sat 10 Oct  |  2pm & 5pm
Coronation Hall, Bannockburn

Adults $70 | Students $25

A mountain with snow patches on the upper slopes under a cloudy sky, with a foreground of dry, brown grassy hillside.

7 | The Line

Sun 11 Oct  |  2pm & 5pm
Te Atamira, Queenstown

Adults $70 | Students $25

AWE+

FREE PERFORMANCES AND EVENTS

Offering our community a new lens into the Festival within the Queenstown and Wānaka region, AWE+ is a series of free events and performances designed to complement the official programme and enrich your festival experience. Come one, come all, and immerse yourself in AWE.


AWE+ | FREE PERFORMANCES

Christine Jeon playing the cello on stage.

AWE Scholars Showcase

Mon 5 Oct | 6:15pm - 7pm
Te Atamira, Queenstown

Two musicians playing violins during a performance.

Emerging Artist Showcase

Fri 9 Oct | 4:45pm - 5:30pm
Te Atamira, Queenstown


AWE+ | FREE EVENTS

Te Atamira Portraiture Exhibition

29 Aug 2026 - 10 Nov 2026
Te Atamira, Queenstown

Close-up of a person playing the violin in a dimly lit setting.

Open Rehearsals

Fri 2 Oct | 10am - 5pm
Te Atamira, Queenstown

Michael Norris standing outdoors with a background of green foliage.

Michael Norris & Ed Cruikshank

Sun 4 Oct | 3:45pm - 4:30pm
Rippon, Wānaka

Black and white image of two people playing the violin.

Open Rehearsals

Wed 7 Oct | 10am - 6:30pm
Te Atamira, Queenstown

Night sky filled with stars, seen from a mountain range.

Winterstellar: At the Edge of the Universe

Fri 9 Oct  |  6:30pm - 7pm
Te Atamira, Queenstown

A smiling man with glasses standing in front of a display of black and white photographs on a wall.

Sebastian Black & Aitken’s Violin

Sat 10 Oct | 3:45pm - 4:30pm
Coronation Hall, Bannockburn

A man standing outdoors next to a tree with green foliage in the background.

Composer in Residence

Sun 11 Oct  |  3:45pm - 4:30pm
Te Atamira, Queenstown


AWE+ IN SCHOOLS

Combining community, creativity and curated compositions, the AWE team will once again tour the Central Lakes region, performing for over 2,000 students at multiple early childhood centres, primary schools and high schools between 12 - 16 October 2026.

Local New Zealand music features large, with works from our AWE Emerging Composer as well as the 2026 Composer in Residence, Michael Norris. Offering a dynamic and entertaining musical presentation, this year’s AWE entourage includes Festival Artists, Emerging Musicians, and our Emerging Composer.

AWE+ in Schools is offered free to schools and students with the support of our many generous funders. If you wish to know more about our school programmes, feel free to get in touch.

Themes AND programme overview

LINES AS BOUNDARIES AND BRIDGES

Lines are everywhere. They shape the landscapes we move through, the music we hear, and the boundaries we draw around ourselves and others. Some lines divide; others connect. Some are crossed in courage, held with conviction, others blurred in the complexity of human experience. AWE 2026 invites you to explore the line in all its dimensions: as boundary and bridge, as musical voice, as moral threshold, across seven programmes, four locations, and the breathtaking landscapes of Central Otago, Aotearoa New Zealand.


A black and white close-up photo of a person's hand pressing the strings of a violin, with the body of the violin and strings clearly visible.

Following the line

"A line is a dot that went for a walk." — Paul Klee

Paul Klee's deceptively simple observation opens into a world of extraordinary complexity, and it is here that AWE 2026 begins.

At every scale of life, there are lines. Some are drawn in ink or light. Some are etched into landscapes by rivers, winds, or tectonic plates. Some are invisible but deeply felt: the boundaries of culture, the edges of morality, the thresholds we dare to cross. Nature is full of lines: coastlines, fault lines, horizon lines, the migration routes of birds, the strata of rock recording millennia of pressure and transformation. In each, a line implies both division and connection, separating yet joining, defining each side by contrast. In that way, the line is always a threshold.

In art and music, a line carries us. A melody pulls us forward through time, leaving traces of emotion and memory. A brushstroke defines a form. A sentence cuts to the heart. In music especially, independent lines coexist, diverge, and reunite, voices in constant dialogue, shaping one another through proximity and encounter. Whether woven into something greater than the sum of its parts, or suspended in radiance along the threshold between presence and distance, to follow a musical line is to be drawn into a world where boundaries are not walls but bridges, and where music does what little else can: connect us to one another across time, place, and human experience.

The human element becomes most vivid when we confront the lines we draw in our own lives. Cultural lines define belonging and exclusion. Diplomatic lines can build understanding between communities and nations. Personal boundaries mark the limits of what we will give, endure, or accept. And moral lines, perhaps the most fragile and consequential of all, define who we are in moments of courage, compromise, and choice. Sometimes we hold the line. Sometimes, as history repeatedly reminds us, a line is crossed, redrawn, or broken entirely. And sometimes, against all odds, it remains unbroken, a testament to the enduring power of human creativity and resilience.

AWE 2026 traces these boundaries and bridges across seven programmes and four locations within the breath-taking landscapes of Central Otago, Aotearoa New Zealand, from what lies between the lines of music's surface, to the cosmic vastness of the line itself in its most elemental form.

Which lines protect us?

Which lines confine us?

And which lines are waiting to be redrawn?

Michael Norris: Drawing the line

Michael Norris is AWE 2026's composer in residence, and no artist could be more naturally at home within a festival exploring lines as boundaries and bridges. His music is woven through every programme, spanning an extraordinary range of territory: from one of the oldest surviving notated melodies to the incomprehensible vastness of deep space, from Hildegard von Bingen suspended across nine centuries to the greenstone waters of the Queenstown Lakes region. In each work, Norris traces the spaces where musical lines converge, dissolve, and reform, connecting the ancient to the contemporary, the intimate to the vast, and at times electronics enter the ensemble as another voice entirely, extending and blurring the boundaries of acoustic sound into new sonic territory.

His AWE 2026 commission sits at the heart of Between, shaped in conversation with sculptor Ed Cruikshank. Together, sound and sculpture carry a hidden braille message, inviting us to discover that some lines are not only heard, but felt.